HBO’s “House of the Dragon,” the “Game of Thrones” spinoff, is back for a second season after a two-year break.
House of the Dragon is a captivating return to the complex and treacherous world of Westeros, a 200-year prequel to the acclaimed TV show, Game of Thrones. Adapted from George R.R. Martin’s “A Song of Ice and Fire” book series, this new installment dives deep into the history of House Targaryen, exploring the events that led to the infamous Targaryen civil war, known as the Dance of the Dragons.
Or simply put, this queen…
…versus this queen…
…who, if you’ve watched the first season, is her ex-bestie turned late father, King Viserys’s second wife (long story).
It starts where season one left off, post-King Viserys’s death and Alicent’s mishearing of his final words to mean that her son, the overindulgent Aegon Targaryen, should rule after him instead of his first child and official heir, Rhaenyra.
But where season one was perhaps slow-paced, big on setting and character development up until after the king’s tragic death — ending with Rhaenyra’s second son’s untimely death at the hand of Alicent’s second son and his giant dragon — this season expectedly begins chaotically.
With mourning, reprisal attacks after reprisal attacks, intricate politics, familial betrayals and epic battles, fans of the Game of Thrones universe finally get a taste of what they’ve come to expect — brutality. Expect dragons, battles, crazy misunderstandings and a bunch of petty guys causing avoidable complications.
But also, expect a lot of waiting around for something… more to happen.
It opens in Winterfell, on a trip to the Night’s Watch and a mention of “Winter is coming”, immediately throwing us deep into nostalgia and a promise that everything good about the original show is about to come back to us?
While the show has finally found its balance, there are still scenes where logic flies out the window, random twists without feeling and too many side plots that make it hard to care about the main battle for the Iron Throne.
At some point, we have to join Aegon to ask what’s up with the game of thrones? Are they going to fight the fight or not? However, the bratty new king, who thinks like most that being king is about doing whatever you want, is hardly a worthy contender.
At least, not without support from his mum, granddad (and “hand to the king”) Otto Hightower, and crazy brother, Aemond. Even then, Aegon gives us nothing to particularly hate, fear, love or all of the above, like Joffrey, Cersei or Daenerys of the original.
On the other side is Rhaenyra, backed by her own crazy husband/uncle Daemon, her in-laws/cousins the Velaryons, and her kids who everyone knows are illegitimate. She, at least, gives us something akin to an uninspiring Daenerys-lite. Perhaps it is unfair then to even compare this spinoff to the OG show.
It’s “green” versus “black”. Green for Aegon and Alicent; black for Rhaenyra and Daemon.
There are tons of other characters you might not remember, and the show doesn’t care to reintroduce them. In fact, fans may need a quick recap of the last season to even remember some plots and players, and why they matter. New silver-haired little children spring up, and no one really seems to know whose they are.
Everyone’s angry, constantly about to fight a dumb war.
The first four of eight episodes were made available to critics like us for review, and from what we can tell — without obviously spoiling anything — the mix of stunning cinematography, meticulous production design and grandeur of the Targaryen dynasty through magnificent sets and costumes gives way to a show that’s okay, and sometimes, good.
The lead actors’ talents feel wasted, left to do their best with often hair-pulling dialogue and threadbare plot.
Matt Smith’s Daemon still doesn’t know who he is. Is he blood hungrily soulless like the show tries hard to portray or is he devotedly loyal to Rhaenyra? While the constant dichotomy is familiar ground for this universe where two-faced (or no-faced?) characters are the order of the day, this time, it feels most like the show itself is altogether unsure.
Is Emma D’Arcy’s Rhaenyra to be a strong, capable queen or is she just going with the flow? Does Olivia Cooke’s Alicent actually know what the hell she’s doing? The only sure thing is Fabien Frankel as Ser Criston Cole with his faux-clueless look of steadfast hypocrisy as he righteous-indignantly blusters through the plot. Does he love being a fuck-boy for queens or not?
Also, the plot twists need too much disbelief to work. Some things are too easy and some things are too complicated. Too much potential is lost in boring decisions and lackluster performances that appear to have no end result.
Except of course, if the end is to build our impatience for some real action to a fevered pitch that would be satisfied by the latter half of the season.
But don’t let that deter you — there’s still plenty to love. As the green versus black conflict heats up, it’s clear that the Targaryen civil war is just getting started. So, grab your popcorn and get ready for a wild ride. Because if there’s one thing this season guarantees, it’s that the dance of dragons is far from over, and the best (and most brutal) is yet to come.
Soft plantain for anyone who can name the dragon above.
Season two of HOUSE OF THE DRAGON debuts today, June 16 (9:00 – 10:00 p.m. ET/PT) on HBO and will be available to stream on Max. The eight-episode season will continue with one new episode weekly through August 4.
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