February was a goldmine for Nigerian music, with a range of talented artists dropping bangers that dominated our playlists. From soulful love songs to high-energy street anthems, the month had something for every mood.
Here are the 10 best Nigerian songs of February 2025.
10. “WHY LOVE” – Asake
Amid rumours of his YBNL exit and a fallout with his team, Asake keeps his focus on the music, embracing love on “WHY LOVE.” The track is both a tribute to his lover and a self-assured anthem, as he hails himself as an angel and suggests that any woman with him is lucky. While his self-confidence—rooted in a military mindset of self-sufficiency—might come off as self-centred, he’s at his calmest and best when she’s around.
9. “Ìfémi” – Lodù
In this track, UK-based Nigerian-born singer Lodù is drunk in love. Unlike her previous releases and features, she sings entirely in Yorùbá, calling out to a distant lover to return to her—perhaps one still stuck in Tinubu’s Nigeria, yet to japa and reunite with her.
Her use of rich figurative language, combined with a blend of traditional and alternative production, places “Ìfémi” in the lineage of new-school artists building on the foundation laid by pioneers like Bisola Oke with “Eleyele”.
8. “All The Love” – Ayra Starr
Ayra Starr makes a strong return with “All The Love,” her first single since her record-breaking sophomore album, The Year I Turned 21 (2024). Centred on self-acceptance and personal growth, the song sees her reflecting on love in a way that feels both personal and universal—a letter to herself and the world.
Now a year older, her music evolves with her, blending lamba with sharp songwriting in a way that reaffirms her artistry.
7. “VIBRATION” – Mo’Gunz
Mo’Gunz moves between rap and melody, seamlessly blending both to set moods and create immersive soundscapes. On “VIBRATION,” off his REPUBLIK RIDDIM two-pack, he seeks relief—not through traditional therapy, but through Mary Jane to ease his stress and a woman’s presence to bring warmth.
Beneath the surface, the song reflects his search for self, purpose, and direction. Yet, even in moments of melancholy, he keeps the party going—vibrating through it all.
6. “Update” – Burna Boy
For the first time in a long while, Burna Boy is taking a break from relentless touring and choosing to indulge in a well-earned vacation. “Update,” much like “Bundle By Bundle,” is a bold declaration of his “city boy” lifestyle—splurging on luxury sports cars and rewarding his loyalists with Cybertruck Tesla.
Though he sounds tired on this record, not even Soul II Soul’s “Back to Life” sample could slow him down—he’s living his best life, and this is the update.
ALSO READ: 12 of the Best Afrobeats Songs of the 2020s That Sample Nigerian Classics
5. “Obimo” – Adekunle Gold
As someone whose long-term relationship has blossomed into marriage, Adekunle Gold understands the power of assurance and reassurance. On “Obimo” (Igbo for “my love”), he sets the tone with the opening line, “Loving you is primary,” encapsulating the song’s essence—complete devotion. He sings about wanting what his lover wants, moving in perfect sync with them.
If you can’t imagine eating or doing anything without seeing the love of your life first, AG Baby has the perfect soundtrack for you.
4. “Movie Star” – Ajebo Hustlers
This is a new offering from the Port-Harcourt musical duo Ajebo Hustlers (Knowledge and Piego). “Movie Star,” off their Onorato EP, is a heartfelt reflection on relationship struggles. Whether drawn from personal experiences or pure storytelling, the song carries an emotional weight that resonates deeply.
The chorus chorus promises unwavering presence through every mood and phase, while Knowledge expands on the theme with his signature rap style. Their seamless fusion of Afrobeats, Highlife, and Hip-Hop remains impressive, reinforcing their stance as hardworking, non-compromising artists. As they declared in a recent Instagram post, this era is about demanding respect.
If you’ve been following their journey, “Movie Star”— and the entire Onorato project — stands as a testament to staying true to one’s sound.
3. “SHAOLIN” – Seyi Vibez
Fans have been wondering why Seyi Vibez has been so quiet. Some speculated that his recent split from Dvpper Music put a temporary hold on his releases.
Whether he was watching the tweets, itching to drop new music, or simply ready to break his silence, he’s back with Children of Africa, a four-track EP. The standout track? “SHAOLIN.”
Seyi leans into the dominant Mara street-pop sound flexing about women, smoking Wizkid’s legendary loud, and moving with zero worries. He also subtly addresses concerns about his career post-label breakup—“Everywhere good, everywhere che, che, che, che…” Translation? He’s doing just fine.
If your DJ doesn’t mix this jam before or after “OZEBA,” you might be at the wrong rave. Street-pop supremacy.
2. “Someone Like You” – Lojay
Unrequited love takes centre stage on Lojay’s “Someone Like You.” He sifts through past memories and conversations, retracing where things went wrong. It’s not the heartbreak of something ending unexpectedly—it’s the pain of knowing the person he wants will never come back.
The song feels romantic, but at its core, it’s about love lost. Lojay’s soft, moody vocals and lyricism capture that deep sadness. Unlike his usual playful, smug takes on love, there’s no spinning the block here. This is the first single from his upcoming album, hinting at a shift from the “gangsta romantic” hard-guy lover to something more vulnerable.
1. “Baby (Is it a Crime)” – Rema
After HEIS, many expected Rema to continue riding the heavy EDM wave, but “Baby (Is It A Crime)” takes a different route. If you paid attention to “Now You Know,” the closing track on HEIS, you’d have caught the hint—he’s leaning into a more chilled, mid-tempo solitude.
Sampling Sade Adu’s “Is It A Crime” (1985), Rema moves at a leisurely pace, throwing advances at a love interest who isn’t as eager. But he doesn’t beg—he states his case and, if she wastes his time, he moves on (“I no dey for too much whining”).
This song is an anthem for the average Nigerian toaster—confident, expressive, but not desperate. Rema’s songwriting remains relatable, and as HEIS continues to set clubs on fire, “Baby” slides effortlessly into softer, intimate spaces.
