Signal is a new producer on the Afrobeats block, who got his big break working on Khaid’s Carry Me Go in March 2023. Since then, he’s worked with Joeboy, DJ Neptune and other household names. Signal took time out from putting his personal project together to share the process behind these hits, the pressure he’s faced since and what the music production game needs.
Tell us about yourself
Signal: I’m Signal, the Plug. I’m a music producer originally from Ekiti State, but born and bred in Ibadan. IB City is a massive part of my musical influences.
How so?
Signal: I grew up listening to Yoruba music. I still listen to a lot of Tungba, Fuji and Juju music, and it’s reflected in the drums aspects of my production.
How did you get into music production?
Signal: My interest developed in National Open University (Ekiti Chapter) in 2018. My mum noticed I liked computers, so she gave me her laptop. I got a production software my brother had told me about and messed around with it, and watched YouTube tutorials, for nothing less than a year. Then I started to recreate top-charting tracks.
Our local music and electronic dance music (EDM) influenced my early production. I’d constantly listen to music and blend different sounds based on how I felt about it. That was my start. In 2020, I jumped in and out of Lagos many times, going from studio to studio, linking up with artists that people recommended and those that I met online to create. From going studio to studio; producing and recording, I have since met more artists and music business people.
Describe your signature sound
Signal: I call it a “happy sound” because 99% of the time, my sound will put you in a happy mood. My catalogue is proof of that.
What’s your creative process like now?
Signal:
For Mumu, I recorded it with Joeboy on my birthday — February 23. I went to his side, and he asked if I had beats to play for him. At first, I said no because I didn’t have any beat I’d made for him in particular, but I eventually played him a random beat. He was like, “But you said you didn’t have any”. He got to writing, and we finalised on the song that night. Months later, he connected me with DJ Neptune to release it.
Has anything changed for you since you made these hits?
Signal: Yes. How people view me. More people are willing to work with me. They feel like since I have hit songs under my belt, I can replicate it for them. If people insist they want me to recreate something I’ve done before, I will. But I don’t miss the chance to convince them that we should work on something new. If I’d stayed recreating stuff I’d made before, I probably wouldn’t have any of the popular jams I’ve made now.
I’m a beat selector now; people seek for my special sound. I have to stay innovative. Music production began as fun for me. It’s more work now, but I can’t afford to lose the fun part.
How hard has it been to keep the fun part?
Signal: Quite hard.
My experience so far has changed my idea of what it’s like to be a musician. Beyond making beats, I’ve had to learn to be strategic.
My experience with creators outside Nigeria has changed how I create too. Now, I know music is more than just recording a song. I also have to constantly adapt to new technology.
What are your thoughts on the current Nigerian music industry?
Signal: We need more transparency. The industry can be more open about information musicians need to navigate the business. People who contribute to songs should be credited appropriately. There should be an official platform where listeners can read the lists of people who worked on their favourite songs. We need more recognition for the people on the backend.
The situation is getting better though. And that’s exciting.
What’s next for Signal?
Signal: I’m working on my own project. Most of the tracks are ready, but getting clearances from different artists and their managements takes a while. I might make an instrumental project too, but we’ll see. Signal isn’t going anywhere anytime soon.
